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Realização e Grafismo by play bleu 2015
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+ infor. [ http://artetotal-cea02.blogspot.pt/ ]
# Programação Arte Total 2015 | by play bleu 2015
Produçâo #Arte Total
http://artetotal-cea.blogspot.pt/
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Realização #Play Bleu
http://playbleu.blogspot.pt/
[Só o video do workshop do Victor Hugo Pontes, não foi realizado pelo play bleu # Vídeo do projecto A STRANGE LAND | Victor Hugo Pontes]
http://artetotal-cea.blogspot.pt/
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Realização #Play Bleu
http://playbleu.blogspot.pt/
[Só o video do workshop do Victor Hugo Pontes, não foi realizado pelo play bleu # Vídeo do projecto A STRANGE LAND | Victor Hugo Pontes]
O segredo dos seres e do mundo | by play bleu 2015
Realização | Produção | by Play Bleu 2015
Texto: Albert Camus, in "A Queda"
Música: The National "fake Empire"
"Sentia-me à vontade em tudo, isso é verdade, mas ao mesmo tempo nada me satisfazia. Cada alegria fazia-me desejar outra. Ia de festa em festa. Acontecia-me dançar noites a fio, cada vez mais louco com os seres e com a vida. Por vezes, já bastante tarde, nessas noites em que a dança, o álcool leve, o meu desenfreamento, o violento abandono de cada qual, me lançavam para um arroubo ao mesmo tempo lasso e pleno, parecia-me, no extremo da fadiga e no lapso de um segundo, compreender, enfim, o segredo dos seres e do mundo. Mas a fadiga desaparecia no dia seguinte e, com ela, o segredo; e eu atirava-me outra vez."
Albert Camus, in "A Queda"
GUELRA * arte total | Refood Braga * 2015 | Realização * Play Bleu 2015
GUELRA | ARTE TOTAL | Refood Braga 100% — com David Ramalho e Gabriela Barros.
Coreografia de Cristina Mendanha
ArteTotal em Museu Regional de Arqueologia D. Diogo de Sousa.
http://artetotal-cea.blogspot.pt/
Realização Play Bleu 2015
http://videosplaybleu.blogspot.pt/
"The boy was in the hallway drinking a glass of tea
From the other end of the hallway a rhythm was generating
Another boy was sliding up the hallway
He merged perfectly with the hallway
He merged perfectly, the mirror in the hallway
The boy looked at Johnny, Johnny wanted to run
but the movie kept moving as planned
The boy took Johnny, he pushed him against the locker
He drove it in, he drove it home, he drove it deep in Johnny
The boy disappeared, Johnny fell on his knees
started crashing his head against the locker
started crashing his head against the locker
started laughing hysterically
When suddenly Johnny gets the feeling he's being surrounded by
horses, horses, horses, horses
coming in in all directions
white shining silver studs with their nose in flames
He saw horses, horses, horses, horses, horses, horses, horses, horses
Do you know how to pony like bony maroney
Do you know how to twist, well it goes like this, it goes like this"
Patti Smith - Horses
Life Aint Enough For You
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Realização | Grafismo | Fotografia by Play Bleu 2015
Modelo: Vanessa martins
Música: Legendary Tiger Man " Life Aint Enough For You"
Realização | Grafismo | Fotografia by Play Bleu 2015
Modelo: Vanessa martins
Música: Legendary Tiger Man " Life Aint Enough For You"
60 seconds [VAI SER APRESENTADO NUM FESTIVAL INTERNACIONAL]
[TRABALHO A SER APRESENTADO NUM FESTIVAL INTERNACIONAL]
Title of film in English * Box of Charity
Title of film in original language CAIXA DE ESMOLAS
Country/countries of production * PORTUGAL
Release year * 2014
Director * CRISTINA MENDANHA
Choreographer CRISTINA MENDANHA
Performers GABRIELA BARROS | DAVID RAMALHO
Composer
Music and sound design * PLAY BLEU
Cinematographer PLAY BLEU | CRISTINA MENDANHA
Other principal crew
Producer
Production company ARTE TOTAL
Synopsis or a few lines about the film (English)
The box is an immense space, equal to the one that I tear in my head. It’s a closed space, with slots where riches are deposited. The bottom of the box reveals marks of who wears it and in it lives. It’s a side. I think more about him because I have the habit of looking down. It works as a map that shows us the city streets. It shows us important places that we should visit. But it also shows the corner where we find what changed our life. And everything only lasts for sometime. It starts then it ends. The head quickly tears the space. I’ll try to match him a body. I’ll force the body to be fast. And to write. Then I’ll gather all the writings. I’ll select, cut and put back together. I’ll set up a new map. I’ll repeat roads. I’ll repeat lots of times. I’ll sit and I’ll rest. I’ll talk about what has happened to me. I’ll write down the differences and get back to work.
The Box of Charity is a textual event but also a gear mechanism of apparently non-related characteristics that give birth to arbitrary connections. It’s also a textual experiment in which overlapping becomes a mechanism that produces it’s own connections. The mechanism that emerged from this experience drew unexpected directions and surprising sensations that only my dog’s imagination could surpass. It’s a study about what cannot be compared and can only be corresponded. The similarities and the differences, the acquiescence’s and dissonances, they only make sense if we face them as reasons for change.
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